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performance studies : ウィキペディア英語版
performance studies

Performance studies is the academic field concerned with the study of performance in any of its various forms. The term 'performance' is broad, and can include artistic and aesthetic performances like concerts, theatrical events, and performance art; sporting events; social, political and religious events like rituals, ceremonies, proclamations and public decisions; certain kinds of language use; and those components of identity which require someone to do, rather than just be, something. Consequently, performance studies is interdisciplinary, drawing from theories of the performing arts, anthropology and sociology, literary theory, and legal studies.〔(【引用サイトリンク】title= A Student Guide to Performance Studies )
Performance Studies has been challenged as an emerging discipline. Many academics have been critical of its instability. As an academic field it is difficult to pin down; either that is the nature of the field itself or it is still too young to tell. There are, however, numerous degree-granting programs that train researchers being offered by universities. Some have referred to it as an "inter discipline" or a "post discipline."〔Schechner, Richard. "Foreword: Fundamentals of Performance Studies," Nathan Stucky and Cynthia Wimmer, eds., ''Teaching Performance Studies,'' Southern Illinois University Press, 2002. P.x〕
Performance Studies tends to concentrate on a mix of research methods. The application of practice-led or practice-based research methods has become a widespread phenomenon not just in the anglophone world. As such research projects integrate established methods like literature research and oral history with performance practice, i.e. artistic autoethnographic approaches and verbatim theatre. The documentation of ''Practice-as-Research in Performance'' (PARIP), a devoted research project conducted at the University of Bristol between 2001 and 2006, offers a number of inspiring articles and portraits of such research projects and was key for a breakthrough of using creative thinking within this subject field.〔Allegue, L., Jones, S., Kershaw, B., & Piccini, A. (2009). Practice-as-Research in performance and screen. Basingstoke.〕
==Origins of and basic concepts in performance studies==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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